Seemingly building a reputation within brainstorms for throwing out the term ‘Augmented Reality’ (AR) without much back up, I started to question if I fully understood the capabilities of this increasingly fashionable term.

Defined by Wikipedia as ‘a live direct or indirect view of a physical real-world environment whose elements are augmented by virtual computer-generated imagery’ I realised I was not really any the wiser.

Having experienced examples using a ‘magic symbol’ where one can hold up a piece of card in front of a webcam and before you know it, a space rocket is taking off in the palm of your hand;  JLS appear with an exclusive performance; or even a fashion show of models appear on the table before your very eyes (all on-screen, yet seemingly in front of you).

All a bit of fun plus added wow factor (as long as you have a webcam), however as I researched further, I found some interesting ways AR is increasingly becoming part of brand activity.

Hugo Boss livened up their Christmas window displays with a sales promotion through an interactive game to drive people in store.

Fashionista use AR to allow customers to ‘virtually try on clothes’.

A really fun example is by Yahoo, which was simple and engaging, and was installed during the Winter Olympics in Vancouver.  Through motion detection, passersby appeared on screen to be dressed in various accessories from hats and scarves, to sunglasses or rain hats.

AR is clearly developing fast. As a late adopter in many forms of technology I don’t own an iPhone – yet – however am curious around the AR capabilities it offers.  iPhone users can download various applications that use the phone’s camera and GPS capabilities to gather information about the surrounding area. Then information about pretty much anything programmed such as restaurants or bars, overlay on the phone’s screen. In the Netherlands you can even point the phone at a building, and the Layar application will tell you if any companies in that building are hiring, or it might be able to find photos of the building on Flickr or to locate its history on Wikipedia.

It is thought that soon we will be walking or driving down the street with augmented reality displays, which will be viewed through what, looks much like a normal pair of glasses, with informative graphics appearing in our field of view, and audio will coincide with whatever we see. These enhancements will be refreshed continually to reflect the movements of your head.

I continue to be intrigued by the merging of the physical and virtual world, and look forward to seeing how far this can go…and to buying myself an iPhone!

By Samantha Pillage on August 9th, 2010

Tags: Brand marketing, Branded content, Communications, Experiential marketing, Olympics, Vancouver 2010, YouTube

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It’s a very exciting time when the mascots are announced for any Games.  Admittedly, this excitement is normally reserved for those aged under ten, and rightly so.  However, I feel very fortunate that I’m blessed with an inner child and can appreciate similar feelings of anticipation that I did back when I was six or seven years old. The more exciting thing this time though, is the fact I might actually get to meet the London 2012 editions.  If you’ve yet to see them, take a look at the Telegraph’s comprehensive explanation of their design.

As you’ve probably guessed I like them.  I think they offer something that will inspire and engage young people across the UK.  They have a thrilling adventure ahead of them and they’ll be able to interact with their audience like never before in the history of Olympic Mascots.  The speed in which both technology and young people have developed in recent years is astonishing.  The digital children right across all corners of the UK will have the opportunity to follow, like and play with Wenlock and Mandeville however they choose, whenever they choose and wherever they choose.  Surely this is amazing? They will take them on holiday, take them to school and probably in the bath too, and more often than not this will be through the digital channel.

I think for brands involved as Official Partners of the London 2012 Olympic and Paralympic Games this offers a unique opportunity.  The mascots will play an important role in connecting with the young people, not only in terms of promoting the Games, but also as an educational inspiration.  I remember how engaged I was when taught about the Olympic movement, having something so real and tangible on the door step will have an enormous impact, particularly for young boys who commonly have learning challenges in certain subjects of the curriculum in this age group.  Tapping into to this market to help develop and extend the Olympic experience and involve our young nation in the Games is a fantastic opportunity and we’ll be looking to develop programmes for our clients to maximise this exciting development.

So, I hope you to get some excitement from seeing the new mascots unveiled.  If they’re not for you don’t worry, but I urge you to just ask a small person their opinion in two years time, as this will be the true judge of the success of Wenlock and Mandeville.  Get involved yourselves and follow them on Twitter @iamwenlock and @iammandeville and see how the story unfolds in the build up to the ever nearing London 2012. And keep your eye on this blog, as if I do get the chance to meet them the pictures will be here first!

By Ben Wilkinson on May 20th, 2010

Tags: BOA, Brand marketing, Branded content, Digital marketing, Experiential marketing, Facebook, London 2012, London 2012 sponsorship, London 2012 sponsorship consultants, Olympic sponsorship, Olympic sponsorship consultants, Olympics, Online communities, Social Media, Sponsorship, Sponsorship consultancy, Sponsorship consultants, Synergy, Team GB

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The King of the World is dead, long live the King of the World.

You have to hand it to James Cameron: at $1.88billion in takings to date, his 3D epic Avatar is officially the biggest box office ticket of all time. And having taken only six weeks to eclipse the record set by Titanic, JC’s last feature film, this is likely to be just the tip of the iceberg.

Yes, the world and his wife (and their three children, plus extended circle of friends) have queued up at cinemas to see Avatar: whilst it’s not perhaps a film for everybody, it has nonetheless garnered some strong reviews, and, 3D effects aside, features some of the best CGI ever used in medium. The spectacle in 3D, however, elevates Avatar beyond movie to experience, drawing the audience into Cameron’s alien world of Pandora without simply resorting to the customary “oh, that was the 3D bit” camera pans. Not all 3D films can claim to do the same.

Avatar is a 3D success because the extra something this technology brings makes us believe it more, enriching the immersion and further suspending disbelief. The question is, how to monetise this on a more regular basis, as opposed to only once every 15 years, when Mr Cameron decides to take us one step beyond?

Naturally, the answer came in the form of the ever-inventive Sky, with Sky Sports’ first foray into 3D programming the live coverage of Arsenal vs Manchester United last weekend. For those lucky enough to be in one of the nine bars across the UK to feature 3D screens – well, if you’d call ‘lucky’ being reciprocally filmed by Sky Sports looking like the rejects from a Buddy Holly casting session – the experience was mixed. The customary Sky Sports graphics, player line-ups (where a sense of depth and perspective is inherent to the camera view) and wide angle shots from behind goal were suitably impressive; however, the third dimension was not the totally eye-popping revolution many were imagining.

To be fair, Sky does spoil the viewer: with up to 20 cameras tracking the game in regular Ds and lovely High Definition crispness for those willing to pay an extra tenner a month – it’s hard to say whether the final spectacle of 3D could ever match up to our expectations. It’s no massive surprise that this was basically a glorified experiment by the broadcaster – football may not be the ultimate sport to benefit from an extra dimension, versus, say boxing, rugby, or even golf – but the fanfare of such a world’s first certainly captured the public’s imagination, leaving viewers hungry, or at least peckish, for more.

Whatever the future holds for in-home 3D, it’s clear that from a sporting perspective, as James Cameron understands, the extra dimension needs to add something to our experience, to give something back, with Sunday’s experiment representing a small step in furthering Sky’s opinion on exactly how it plans to achieve this.

By Jonathan Izzard on February 2nd, 2010

Tags: Barclays Premier League, Branded content, Broadcast sponsorship, Experiential marketing, Football, Football Sponsorship, Manchester United, Media, Sport, Television, Television audiences

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Just when Tuffers and Dizzy thought they had got over the worst of the dangerous, nerve racking and quite possibly life-threatening Betfair Challenges, they arrived at a farm in Leeds ahead of the Headingley Test to bowl each other down a giant hill in zorbs, attempting to hit the super sized inflatable stumps at the bottom. 

Sky Sports News and BBC Look North turned out to film the action and there was much concern from both Dizzy and Tuffers that they may well be sick live on TV!  Tuffers bowled first and sent Dizzy down the hill at 30mph with a googly that uprooted offstump.  Dizzy levelled the Challenge by launching a very ill-looking Tuffers down the hill and in to the stumps.  Challenge drawn, leaving the series poised at 2-1 to England, with the all important 6-aside cricket match to be played.

The final Challenge took the series to the Hurlingham Club in West London – and Tuffers continued his good form and brought the trophy back to England. Although Dizzy had “The Cat” cowering to square leg against his aggresive fast bowling, Tuffers’ Tyrants held on with the help of a majestic knock from ex West Indies batsman Jimmy Adams.  To watch all the action go to FanvFan.com

Dizzy now has to face a forfeit for losing the Betfair Challenge series.  He will have the honour of having the St George Cross emblazoned across his chest at The Oval and have to cheer England on amongst the Barmy Army as England look to win the real Ashes in the final Test.

By Simon Roche on August 20th, 2009

Tags: Ashes, Branded content, Default, Digital marketing

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It’s the biggest worry for any newspaper proprietor out there. Actual paper sales are on a downward trajectory while traffic to their websites is flying upwards – but how can they make a viable business model out if?

A quick look at the numbers underlines this mounting difficulty. For example, digital revenue comprised less then 10% of Trinity Mirror’s regional revenue in 2008 and although newspaper sites are amassing huge numbers (MailOnline had 29.4 million global unique users in June), domestic advertisers are reluctant to pay for a largely overseas audience. On the flip side print ad revenue is falling fast – Associated Newspaper saw revenue fall 15% yoy in Q2. So something needs to be done and fast.

Last week, Rupert Murdoch declared that News Corp newspaper sites would soon begin charging for online access. The likely model is going to be charging for premium subscriptions to the Wall Street Journal while The Sunday Times in London is planning a stand-alone website.

Some rivals have been quick to dismiss the idea as there are so many free online news sites such as the BBC so why would consumers pay for it? However, Murdoch believes we will pay for celebrity news, major scoops and exclusive content.

So the key to success would seem to be having that content people are willing to charge for – and this focus on high quality, opinionated content and scoops could be the shot in the arm for under pressure (and sometimes understaffed) newsdesks. While the system of charging needs to be made as simple as possible with clear entry points and ‘walled-garden’ systems.

Murdoch won’t be the first to try – The FT have done it with some success while The New York Times had to rapidly u-turn on its first attempt at a charging system.  Critically though, he will be the biggest to try and there’s no doubt the rest of the industry will sit up and watch with interest.

Lest we forget he’s led the field before in proving people will pay for unique content – twenty years ago Sky was launched off the back of sport and movies.

By Dominic Curran on August 17th, 2009

Tags: Branded content, Communications, Default, Media

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Previously, golf’s best-known connection with Tweeting was the (probably apocryphal) story of Tiger Woods’ ’I just wopped Tweety Pie’ SMS to friends, having just beaten an infamously canary-clad Sergio Garcia in the final round at The Open in 2006. But now Ian Poulter is opening up a new front for golf in the Twitterena.

After only a matter of months, Poulter’s microblogs have attracted almost 250,000 followers - a phenomenal number for the platform – and won him widespread media coverage and praise. Which is just how the savvy, outspoken Poulter likes it. “It’s a very clever marketing publicity tool and one that I have complete control over”, he was quoted as saying recently.

Poulter’s success is no accident. It’s down to two factors

First, his dedicated, thoughtful use of the platform. As he puts it: ‘…this is a great way of getting the information out there quickly and giving golf fans some insight they’ve never had before.’ And he’s as good as his word. Take this morning for instance, when Poulter uploaded pictures from each tee at Turnberry as he practised for The Open. Brilliant.

Second, his use of media interviews to market his microblog and create his very own content factory. Enter ‘Ian Poulter Twitter’ into Google, for example, and you currently get 120,000 returns, and plenty of interviews like this, from today’s Times.

Plenty of food for thought for marketers on a variety of fronts. But Peter Alliss won’t approve at all.

By Tim Crow on July 14th, 2009

Tags: Blogging, Branded content, Default, Digital marketing, Golf, Tiger Woods

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In football especially, we’re used to seeing teams, governing bodies, brands and celebs attempt to make a few quid around major events by releasing a track which attempts to capture the zeitgeist, and there have been some brilliant moments – especially Three Lions, Nessun Dorma,  World In Motion, and the Nike-inspired A Little Less Conversation. Which brings me to The Ashes, the 2009 edition of which starts today, and two very new, and very different attempts to join the pantheon.

First up is Hey Hey Ricky by The Barmy Army (with a lot of help from Naked), which falls firmly into the ‘make a few quid’ category, the Barmy Army being, as The Times demonstrates today, something of a hand-to-mouth operation.

The track has a catchy riff (which many will recognise from the days when the BBC televised cricket) and some clever, light-hearted, Aussie-bashing lyrics. I have to say I hated the film though, with its clunky, gratuitous brand placements, and equally gratuitous Benny Hill meets Eric Prydz moments. But judge for yourself here.

Next up is The Duckworth Lewis Method, a concept album of cricket-inspired songs by Irish musos Neil Hannon (of the Divine Comedy) and Thomas Walsh (of Pugwash).

We shouldn’t be surprised, incidentally, that two Irishmen have turned their attention to cricket – after all, Ireland  bowled out the mighty 1960s West Indies for 25 back in 1969 (albeit with with more than a little help from Arthur Guinness the night before) and Samuel Beckett was a fan and played at first class level, and as such is the only Nobel Prize-winning author to feature in Wisden.

I’m sure that Sam would have approved of TDLM, and I’d be shoulder to shoulder with him. It’s barking mad, but utterly, utterly brilliant, and I unreservedly urge you to buy it.

By Tim Crow on July 8th, 2009

Tags: Branded content, Cricket, Default, Music, Product placement

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Ever thought about naming a star? How about owning a nice plot of land on the dark side of the Moon? Fancy sponsoring a three-toed sloth in Costa Rica?

As PT Barnum famously never said, “There’s a sucker born every minute” – applying Newton’s Third Law (he’ll now be spinning in his Westminster Abbey sarcophagus) would suggest an equal and opposite reaction. After all, you only know you’re a mark once you’ve been conned, right? Therefore every sap needs a swindler, and in today’s society, there always seems to be someone out there ready to sell you something:

a) That isn’t theirs to flog

b) The customer can never really own

c) With strong virtual but low actual value

So it’s nice to see a company turning the tables on the snake oil salesmen and scammers: why buy something that’s worth nothing, when you can use something that costs nothing?

The company in question is Intel, whose 2009 ATL campaign, set to roll out over the next three years, sees the technology giant using the sign-off “Sponsors of Tomorrow”. I mean, who’s going to monetise ‘Tomorrow’…Annie?

It’s interesting that Intel should be using the collective plural ‘sponsors’ here, a move, in line with the content of their ATL, to both humanise the company and express the broad range of areas across which it – I mean ‘they’ – work.

Neatly turning things on their head, the campaign is less ‘Intel Inside’, and more ‘Inside Intel’. The execution below might aim at geek-chic, but it also emphasises who makes up the company, not just what the company makes.

You’ll notice that even the brand-defining/ubiquitous/maddeningly annoying Intel ‘chimes’ are now performed in the new ads by company employees (okay, the actors portraying company employees), reminding us of a company’s most important asset – its people.

As “Sponsors of Tomorrow”, the casual perspective of Intel being just a sticker on your PC may have had its chips.

By Jonathan Izzard on June 12th, 2009

Tags: Advertising, Ambush campaign, Brand marketing, Branded content, Digital marketing, Employee engagement, Media, New Product Development, Sales promotion, Sponsorship, Viral Marketing

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When we started out as Karen Earl Sponsorship in 1984 we had little idea what the future held, nor did we realise just how far sponsorship would develop as a global marketing phenomenon.

What a ride it has been. So many wonderful clients and sponsorships, so many great friends and memories. Lots of hard work too of course, but always great fun – and is still. I’m so proud of our work, our people, and the unique reputation we’ve built.

Looking ahead, we’ve never been in better shape. We have the most talented and committed group of people in our history, and a client list that’s unrivalled in the industry – and growing. Our international work has grown exponentially in the last few years. And as part of The Engine Group, we are ideally placed to continue to spearhead sponsorship’s unique role in modern marketing.

Easy to say, but let me explain.

We evolved into Synergy a year ago and moved into Engine’s new building just north of Oxford Circus. This meant that, as well as our three existing specialist units – Consultancy, Experiential and Communications – we were able to offer four new services: Branded Content, Digital, Employee Engagement and Sales Promotion. And all under one roof.

Our clients all tell us the same thing: they love it!

We now provide them with the broadest, most flexible and most relevant toolkit for 21st century sponsorship. Successful sponsorships are those which are truly integrated into brand marketing campaigns. Truly outstanding sponsorships are those which act as a catalyst for this integration using compelling ideas which both cut through the media clutter and effectively engage consumers.

We help our clients do that every day.

You can see numerous examples on our website. Two that immediately come to mind are the Guinness Premiership and the Powerade InnerGear campaign, each of which completed a clean sweep of the three major sponsorship awards in the last two years.

Our 25^th year makes this a landmark year for Synergy, but there’s going to be a lot more to shout about. We’ve already announced, for example, that we’re now working with Philips on their global Formula 1 sponsorship and with Betfair to develop their sponsorship strategy and portfolio. There are more announcements in the pipeline – watch this space.

Here’s to the next 25 years!

Karen Earl, Founder and Chairman of Synergy

Ed Kemp from Marketing spoke to Karen about the last 25 years – read his blog here

By Karen Earl on June 4th, 2009

Tags: Branded content, Communications, Consultancy, Digital marketing, Employee engagement, Experiential marketing, Guinness Premiership, Olympic sponsorship, Sales promotion, Sponsorship, Sponsorship consultancy, Synergy

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Last night I watched the first episode of I’m Running Sainsbury’s on Channel 4. The branded content programme followed the story of Sainsbury’s shop floor worker Becky Craze and her inspirational initiaitive to retail ‘Family Food for a Fiver’ in one bag, ready to pick up off the shelf and head straight to check-out. A brilliant idea!

The staff initiative, to engage Sainsbury’s workers across the country, allowed our girl Becky to pitch her idea to the Sainsbury’s board and see it all the way through to implementation.  Employee engagement probably doesn’t get better – and you get to be on the telly!

I lift my hat off to Sainsbury’s for being so bold and brave, to really give their employees a voice and chance to shine. It was a real shame that Becky’s fantastic idea didn’t take off – for anyone who watched, I think the chicken pasta would have cut the mustard - but no doubt she’ll be a success if she keeps that creeping pessimism in check.

We’ll see what happens next week when Brenda hits Sainsbury’s suited and booted in Holborn with her idea (brace yourselves people I think she may cause a storm!)

By Caroline Ayling on June 3rd, 2009

Tags: Brand marketing, Branded content, Employee engagement

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