@synergytim tweeted this morning about a music download service soon to be launched by Sky. Sky Tunes, it says here, will take on iTunes and offer a bona fide alternative in the music download market which is to say these days, the music market per se. It’s the second such service to have crossed my bows in as many weeks, the first having been brought to my attention my my 11-year-old daughter Maddie who received what she perceived to be a genuine offer of free music from her mobile provider, Vodafone. Being the sensible girl that she is (she gets it from her mother) she first checked with me to see if it was OK to reply “yes” to Vodafone’s text and receive 10 tracks of her choice, for free.

I checked it out to find that had she done so, she would have been able to choose her 10 tracks from the UK top 50-ish, and then would have committed with no further action on her part, to a monthly subscription of £5 added to her mobile bill, for which she would have received a further 10 tracks and “the option to buy loads more”. Dangerous stuff when you’re 11 years old and Daddy pays your phone bill, so we declined to proceed.

@synergytim’s tweet reminded me of this today, as I checked out Sky’s service as described in The Guardian, finding that for a monthly subscription of £7.99 I could receive 10 tunes or an album each month. Pricier than the Vodafone service and with no apparent differential benefit.

If I understand these services correctly, I believe that in both cases should I neglect to choose tracks or albums or if I forget, the service provider will choose my music for me. How kind.

Digital natives will be too young to remember a company called Britannia Music, but migrants may recall how in the 1970s and 80s, members of the Britannia Music club, snared by the offer of four albums for £1 each, then paid about £5 per month to the club, for which they received the Britannia Music-selected “Album of the Month” in their chosen format: LP, cassette or 8-track (this last is a dimly recalled format from my pre-school days, I assure you). The entire catalogue of Britannia Music was available for purchase at full or discounted prices. Funny, but all the stuff I listened to always seemed to be full price.

Sky Tunes and the Vodafone Music Club use similar mechanics to the old Britannia Music club, adapted for the digital age. Having wasted my hard-earned pocket money as a teenager on Kirsty MacColl’s Desperate Character and Witchfynde’s appalling debut Give ‘Em Hell, I want to warn all you young folk out there that there is a better, more transparent way of buying music. It’s called iTunes and whilst I welcome competition in the free market, the above two examples are not it because they are fundamentally not transparent. Not honest, even.

These lock-you-in-to-a-punitive-contract music supply services are not new and offer nothing that can not be obtained for similar prices or cheaper elsewhere.  The Guardian points out two added benefits of the Sky service: first, that its tracks come DRM-free and can be played on any MP3 player whereas iTunes tracks require an iPod. With iPods dominating the personal music scene to as great a degree as Microsoft dominates the personal computer OS market, this seems a dubious benefit. And second: Sky offers unlimited streaming for free, which is nice, but I get that anyway via Last.fm and Spotify. I have done so for months.

And where do I listen to these free music services? On my iPhone and iPod, of course.

By Scott Garrett on October 12th, 2009

Tags: Default, Digital marketing, Downloads, Music, New Product Development

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