Dominic Curran comments in The Times on how sponsors would have reacted had Andre Agassi’s drug taking been exposed while he was still a player.  To read the article, click here

By Synergy on October 29th, 2009

Tags: Press Clipping

No comments

Scott Garrett comments in Marketing on how brands can leverage sponsorship by engaging with unofficial fan communities.  To read the article, click here

By Synergy on October 28th, 2009

Tags: Press Clipping

No comments

Philip Patterson comments in World Football Insider on Barclays renewing their English Premier League sponsorship.  To read the article, click here

By Synergy on October 28th, 2009

Tags: Press Clipping

No comments

Scott Garrett comments in the FT on how the change in FIA leadership will affect F1 sponsorship. To read the article, click here

By Synergy on October 27th, 2009

Tags: Press Clipping

No comments

When you’re looking to get a foothold in a very competitive industry like ours, opportunities for work experience are invaluable. This week at Synergy we have (as we often do) had an intern join us to see what really happens in a sponsorship consultancy. Edmund’s week has been filled with learning; he’s experienced all ends of the sponsorship spectrum; packed mailouts, scored the papers, set up a scaletrix track for one of our F1 clients and helped out with an NFL presscall to name but a few.

I’m sure he’s not the only one who’ll go back to school with some amazing learning experiences. However, I doubt many can top Edmund’s show and tell from the NFL photoshoot…

Edmund with the Tampa Bay Buccaneers Cheerleaders in advance of this Sunday’s NFL fixture when the Tampa Bay Buccaneers take on the New England Patriots at Wembley.

Does work experience get any better?

By Ben Wilkinson on October 23rd, 2009

Tags: NFL, Sponsorship, Sport, Synergy

1 comment

Jenson Button had a dream last Friday night that he would have a bad qualifying session in Brazil but do enough in the race to win the F1 World Championship.
And so he did.

Button added his name to the history books over the weekend. The first ever English back-to-back world championship win the sport has witnessed. All of this happening in just the first season of Brawn’s existence, a fairytale for the team. The charismatic and handsome Button is now in an enviable position. With a wealth of experience, the support of a strong team around him, a model girlfriend on his arm, this year’s BBC Sports Personality of the Year a shoe-in and the likelihood of tens of millions of pounds to follow through sponsorship and endorsements, it all rounds off the year rather nicely for him.

And the best thing? He seems like a really nice guy to boot.

Jenson is a PR dream and a hark back to the old days of work hard, play hard F1 drivers. His earning potential is certainly set to rocket so long as he continues to perform on the track. As well as his success in the car, Jenson’s personality, charisma and good looks will help to make him a global bankable star. If he wins next year’s World Championship, he will almost certainly become the highest paid British sportsman.

Interestingly, he is not currently contracted to a team for next year. His negotiating powers right now are surely at a premium, especially having taken a severe pay cut to race for Brawn this season. For brands and future sponsors, Jenson is a very attractive investment. He is a popular figure, a leader amongst his team, speaks well, is well educated and glamorous and is also close to his family (his father attends every race). He is perceived to be more modest than Lewis Hamilton, more approachable and has a real sense of fun. Couldn’t have imagined writing this a year ago but Jenson could very well end up as the more successful of the two British drivers. It may have taken Jenson ten seasons to arrive at this stage (compared to Hamilton’s two) but Button is viewed by many as the more consistent and even tempered driver.

Certainly it will be interesting to watch what he does next from a sponsorship perspective. In F1, most brands are sponsors of the team, not the individual drivers. There are occasions of drivers having individual sponsors – Jenson himself has a personal deal with the (number 1 by volume-sales energy drink in the US) Monster Energy. However, what his manager may well be doing at the moment is looking at long-term opportunities for Jenson to take an ambassadorial role with existing team sponsors – something Lewis Hamilton has done very successfully with brands like Hugo Boss and Tag Heuer. We shall see.

For the time being, Jenson is back in the UK to fulfil sponsor activities (Virgin Media’s SpeedWeek50 campaign, as you asked) before the end of season finale in Abu Dhabi next month which will finish off one hell of a dream season.

By Stephanie Branston on October 20th, 2009

Tags: BBC, Formula 1, Jenson Button, Lewis Hamilton, Public relations, Sponsorship

1 comment

Synergy’s Steph Branston comments in PR Week on how Jenson’s recent Title victory will make him a super star.  To read the  full article click here

By Synergy on October 20th, 2009

Tags: Press Clipping

No comments

OK so the news is bad – you’re the tournament organiser of the Rugby World Cup in New Zealand in two years and already you are having to re-forecast, again, the level of loss you expect the event to make (now up another $9.3 million to $39.3 million). Much of the increased loss is based on lower expectations around ticket sales.

But I suspect that the tournament organiser, Martin Sneddon, may see his latest stance on the situation quoted back to him in the coming years.

Asked recently by the media whether he expected a game between minnow nations from Europe and America in New Plymouth on a Thursday night would be hard to sell, Mr Snedden came out with the classic: “It will sell out. I am prepared to put my reputation on it.”

While admiring his passion, I just hope the good folks of New Plymouth see it the same way and turn out for both the sake of the sport and Mr Sneddon’s mortgage.

By Dominic Curran on October 19th, 2009

Tags: Communications, Default, Public relations, Rugby

No comments

So there it is, all over. 100 days and 2400 people later; today marks the final day of Antony Gormley’s live art installation ‘One & Other’.

34,520 people applied; 1208 men and 1192 women aged between 16 and 84 were randomly selected to take part. People from every walk of life from across the UK, spent an hour alone on the empty plinth in Trafalgar Square creating a collective portrait of humanity.

And not a single ‘celebrity’ or former Big Brother contestant in sight.
Marvellous.

The project – the focus of articles, photos, tweets and blogs well before the first person took to the plinth on 6th July 2009 – has been deemed a success. In Gormley’s own words, “Whether you see the plinth as a protest or pole-dance platform; studio or stocks; playpen or pulpit; as a frame for interrogation or for meditation, it has provided an open space of possibility for many to test their sense of self and how they might communicate this to a wider world.”

So did we like it? The art critics did not.
Me? I loved it.

I first wrote about the project last July on this very blog. I didn’t get picked in the ballot but I have enjoyed watching those who did, including three people I know. ‘A snapshot of Britain’, the creation has been described as. Well certainly it showed off the great British sense of humour – as well as raising over £24,000 for charity through plinthers performances.

A brief snapshot of just a few of the plinthers who caught my eye:
- A modern day naturist Lady Godiva astride a child’s rocking horse in only a pair of boots (Gormley himself had said that ‘he would be very upset if somebody didn’t take their clothes off’)
- A 26 year old dressed as a giant turd in a plea for cleaner water, resulting in some nice PR & awareness for Water Aid
- A Stringfellow’s dancer whose pole dancing performance apparently caused the Sky Arts website to crash
- An 8ft Godzilla
- A bent over skin-tight morph suit
- A number of folk advertising themselves in a ‘Give me a Job’ bid to gain work most of which resulted in employment
- The girl who led an impressive flash-mob audience in a world-record bid for the most people dancing to Thriller (Michael Jackson, RIP, would have been proud).

The list goes on. Right up to the very final plinther, Emma Burns from Liverpool who used the last hour of the people’s plinth (08.00-09.00 today) to remember the victims of the Hillsborough disaster.

The good, the bad, the ugly and the downright bizarre have all been up there.

The art critics may not have raved about it.
Stuff ‘em.

Over 720,000 people watched online – a huge figure for an arts website – with 7.5 million page impressions during the 100 days. And the project will live on through a TV documentary due to be screened on Sky Arts; a book produced by Random House; and within the walls of the Wellcome Library who plan to store the footage and interviews with every participant for future historians and academics.

Antony Gormley never actually made it onto the plinth having been rejected four times in the public ballot (and refusing to insist on a slot). One suspects he won’t mind. Without a shadow of a doubt, he will be kept busy over the coming months regardless, his profile further elevated by the successful way in which One & Other has truly brought art to the masses. And if you need further persuasion, take 4mins out of your day – right now- and have a watch of the final highlights video on Sky Arts. It’s emotive stuff.

- Next month, Sir Keith Park, a Battle of Britain hero will take to the Fourth Plinth in a more conventional memorial statue format

By Stephanie Branston on October 14th, 2009

Tags: Blogging, Communications, Flash mobbing, Media, Public relations, The Arts

No comments

Being half Aussie, one of the stories in yesterday’s Brand Republic email caught my attention.

The Australian Government recently announced that it is looking for an agency to develop a new brand identity to embody Australia in the 21st century with a budget of A$20 million over four years.

In response to this, agency DesignBay has launched a competition challenging people to submit their own logo and strapline for the chance to win a A$2000 prize. The global competition, which opens today, will run for two weeks, with the winners and short-listed entrants announced in the marketing industry’s B&T magazine in November.

DesignBay founder Alec Lynch, has been quoted saying: “Australia’s brand is important. We want to find the best logo and tagline ideas that Australia’s creative talent and the world can come up with and we’re going to offer them, for free, to the government. We want to give people the opportunity to contribute to Australia’s brand and we want Australia’s brand to be the best it can be.”

In this day and age we are all used to brands and media outlets asking for our contribution and I’m right behind giving the public the chance to translate their patriotism into what could become the new identity for their nation. However on this occasion, I can’t help but think that the aim of the game is more to drive publicity for the design agency than to give consumers a voice. Although hats off to their PR team, as I’m writing about them and I’d certainly never heard of them before reading the article this morning.

The Australian government are due to launch the new identity domestically in February and internationally in May and I’ll be keeping my eyes peeled along the way to see whether the Design Bay competition has any impact on the outcome.

Either way, you’ve got to be in it to win it so I’ll be off to the drawing board…..

By Kelly Russell on October 14th, 2009

Tags: Brand marketing, Communications, Media, Public relations

No comments